玻璃钢浮雕是雕塑与绘画结合的产物，用压缩的办法来处理对象，靠透视等因素来表现三维空间，并只供一面或两面观看。下面我们看看玻璃钢浮雕都有哪些表现方法。
    The glass steel relief is the product of the combination of sculpture and painting, using the method of compression to deal with the object, such as X-ray and other factors to the performance of three-dimensional space, and only one side or two sides to watch. Below we look at the glass steel relief what are the performance method.

    玻璃钢浮雕压缩
    Glass steel relief

    即对一个固体空间假设有三条轴；X轴、Y轴和Z轴，其中X轴为垂直轴，Y轴是水平轴，Z轴是纵深轴。在做浮雕时，保持X轴与Y轴不变，而压缩Z轴并将以上的全部压缩在一个平面上就可以了。
    The assumption of a solid space has three axes; X axis, Y axis and Z axis, where the X axis is the vertical axis, the Y axis is horizontal axis, the Z axis is the depth axis. In the relief, to keep the X axis and the Y axis, while the compression of the Z axis and all of the above compression on a plane can be.

    如何在保持X、Y、轴不变的情况下，先仔细把稿起好，再在离你最远的一点涂上一层积土，再在最近的点上涂上三层分的积土，如果你是做的近乎于圆雕浮雕也是如此，只是不要忘了随时缩小Z轴的比例。
    How in X, Y axis invariant case, careful to release good, again in the farthest from you the coated a layer of dust, again at the nearest point painted on the third floor of the alluvial soil, if you are doing almost Yuandiao relief is so. Just don't forget to always narrow the ratio of the Z axis.

    利用错觉
    Use illusion

    这种方法往往是用在多层次，复杂一些的构图中，往往是高、中、低浮雕的表现方式同时并用。最常见的是前景人物采用涂浮雕法，随着物景的推移，越来越平，直至背景只需稍稍刻画上去就可以了.在这里表现方式的界定标志是需要明确的。
    This method is often used in many levels, some of the composition of the complex, often high, medium and low relief in the performance of the same time and use. Foreground figures using coated relief method is the most common, over the scene, more and more peaceful, until the background to slightly describe up can. Here appears to define the symbol is to be clear.

    A、高浮雕即可能来对象背后面的感受。
    A, high relief that is likely to come back to the object of the object.

    B、B、中浮雕要压缩至Z轴的二分之一。
    B, B, in the relief to be compressed to 1/2 Z axis.

    C、C、浅浮雕一般可能就要压缩至十分之一了。
    C, C, light relief generally may be reduced to 1/10.

    利用厚度的差异，就是利用人视觉上的错觉必要时可以把后面的物体推到前面来，甚至处于一个平面上。
    The use of the difference between the thickness, is the use of human visual illusion when necessary to the back of the object to push to the front, and even in a plane.

    外轮廓起位
    The outline of a play

    指的是外轮廓与背景交界处前后轮廓和背景垂直高度的部位叫做起位，在观察学习别人的浮雕作品时，要特别留意，留意这些连接处是如何处理浮雕的一侧去观察艺术家对微小的变化之处是如何处理的，是如何使远处的那只眼睛刚为从眉笔下面露出来的。
    Refers to the outer contour and background junction at around contour and background vertical site called up. During the observation learning other people's relief work, to pay special attention to, pay attention to these connections is how to deal with embossed on the side to observe an artist should be how to deal with the small changes, is how to make the distance of the eye just from the eyebrow pencil exposed.

    这个起位技术是浮雕中非常重要的，它可以把主体与背景拉开距离，使浮雕有了立体感，并表现出多层次。
    This technology is very important in the relief, it can be the main body and the background of the distance, so that the relief has a three-dimensional sense, and show more levels.