城市景观浮雕，主要是用于城市的装饰和美化，优秀的城市景观浮雕作品应该与周围的自然环境珠联璧合、遥相呼应；它们使城市更具亲和力，有的上升为一座城市的标志、甚而成为城市人文精神的集中体现，这在世界著名的大、中城市中不乏先例。

Urban landscape sculpture is mainly used for the decoration and beautification of the city, the outstanding urban landscape relief work should be with the surrounding natural environment Zhulianbihe, echo each other at a distance; they make the city more affinity, some rose as a symbol of a city, or even to become urban humanistic spirit embodied, which in the world famous big and middle cities precedent.

一些城市中的优秀城市景观浮雕以永久性的可视形象使每个进入所在环境的人都沉浸在浓重的文化氛围之中，感受到城市艺术气息和城市的脉搏。

Some cities in the outstanding urban landscape relief in a permanent visual image so that each person in the environment of the people are immersed in a strong cultural atmosphere, feel the pulse of the city's art and urban.

金兰草浮雕公司的研究人员告诉我们，郑州城市景观浮雕的发展只有几十年的历史,大致分为四个阶段。

Gold Orchid grass embossed company researchers tell us that the development of Zhengzhou city landscape relief only dozens of years of history, divided into four stages.

第一阶段是大型纪念性浮雕和小品浮雕,适应时代需要而产生。

The first stage is a large commemorative relief and relief, the relief of the times, the need to adapt to the generation.

第二阶段文化大革命时期以毛主席和工农兵为题材,庄重严肃、体量巨大,造型手法概括写实的城市中心广场浮雕。

The second stage of the cultural revolution, the Chairman Mao and the workers and peasants as the subject matter, solemn serious, body mass, shape manipulation of the city center square relief.

在第三阶段中,以改革开放和四个现代化为主要创作题材的中国城市浮雕,以促进改革、发展生产为主。

In the third stage, with the reform and opening up and the four main themes of the main creative theme of the Chinese city relief, to promote reform, development and production.

每一个阶段都受较深的社会因素的影响。在这几十年中我们没有西方国家那样的城市浮雕创作和欣赏的经验,也不太重视雕塑体现出的内涵。

Each stage is influenced by the deeper social factors. In the past few decades, we do not have the experience of the western countries such as the creation and appreciation of urban relief, but not too much emphasis on the connotation of sculpture.

直到上世纪90年代末,才出现了第四个阶段的户外观念浮雕。它们逐步摆脱了学院派的束缚,突破传统空间环境的约束,逐渐成为真正意义上的城市景观浮雕。

Until the end of the last century in the 90's, the fourth stage of the outdoor concept of relief. They gradually get rid of the shackles of the college school, breaking the constraints of the traditional space environment, and gradually become a real sense of the urban landscape relief.