精神文化的建设让郑州浮雕遍布各地，各个地方都在标新文化建设，郑州的浮雕主要运用在哪些方面？下面是它的主要应用：
    Spiritual and cultural construction of Zhengzhou relief everywhere, each place BiaoXin culture construction, Zhengzhou relief mainly uses in what aspects? Here is its main application:

    郑州浮雕在充分表达审美思想情感的基本创作原则之下，郑州浮雕的不同形态各有艺术品格上的侧重或表现的适应性。
    Zhengzhou relief in the full expression of the aesthetic feelings of the basic creative principle, the different forms of the Zhengzhou relief work on the focus of the art grid or the performance of adaptability.

    一般地说，高浮雕较大的空间深度和较强的可塑性，赋予其情感表达形式以庄重、沉稳、严肃、浑厚的效果和恢弘的气势；浅浮雕则以行云流水般涌动的绘画性线条和多视点切入的平面性构图，传递着轻音乐般的平和情调和抒情诗般的浪漫柔情。
    In general, high relief larger space depth and strong plasticity, giving the emotional expression form a dignified, calm, serious, vigorous effect and grand momentum; shallow relief to Hangyunliushui like surging painting lines and multi perspective of plane composition, passing light music like flat and tone and lyrical poems like the romantic tenderness.

    浮雕艺术的发展使圆雕日益强化了它的相对独立性，相比之下，郑州浮雕虽然更多地受制于一种依存关系，即对“平面”或“墙面”的依赖，但其独特的表现特质和丰富的雕塑性造型手段仍是其它艺术形式无法替代的。
    Relief art development of the sculpture increasingly strengthened its independence. In contrast, Zhengzhou relief although more subject to a dependency, i.e., dependence on "flat" or "wall", but can not be replaced by its unique characteristics and rich sculpture modeling method is the art form.

    而且，其审美特性在现代艺术革命的促进下，也日益强化了它的相对独立性。对固定“墙面”的依赖性和适应性，在现代浮雕上已不再象古典浮雕那样显得那么地强烈、拘谨和不可动摇。对现代浮雕而言，作为载体或环境的“墙面”是自由的、可选择的。
    Moreover, the aesthetic features of the modern art revolution, but also strengthen its relative independence. The dependence of "fixed" wall and adaptability, in the modern relief no longer like classical relief looked as so strong, stiff and inflexible. In the modern relief, as the carrier or the environment, the wall is free and optional..

    郑州浮雕必将在国家飞速的发展下越来越普及，越来越被人所认可。
    Zhengzhou relief is bound to the rapid development of the country more and more popular, more and more recognized by the people.