随处可以看到浮雕，走在大街小巷公园等地方都能看到，石浮雕啊，铜浮雕啊，园林浮雕，景观浮雕等等，他们有的是由石头做成的，有的是由铜，有的是由砂岩等，其实不仅仅局限于这些材料还有其他的。
    Everywhere can see the relief, walking in the streets, parks and other places to see, stone relief ah, copper relief ah, garden sculpture, landscape relief and so on, some of them is made of stone, and some are made of copper, some by sandstone, in fact, is not limited to these materials, there are other.

    浮雕打开艺术新窗口，视野扩大化。浮雕的市场前景一片大好，发掘那些被遗忘的艺术家。
    Open the new window of art, visual field of expansion. The market prospect of the relief is excellent, and the discovery of the forgotten artists.

    以中国青铜器特有的沉稳青绿色彩为主色调，在那幽渺深邃的布局中却呈现如墨色晕染的深浅浓淡变化，其间黑色的线条随性地游走，勾勒出一个个结合现实所观与艺术家个人感知、想象聚合的象征符号。
    To Chinese bronzes unique steady green color tones, in the quiet Miao deep layout was presented such as ink smudges shades of shades of change, during which the black lines with walk, draw the outline of one combined with the reality of the view and artists personal perception, imagination, symbol of polymerization.

    西方美术史上的抽象绘画可以追溯到20世纪20年代的康定斯基，50年代开始法国的抒情抽象，就通过寻求东方的观念寻求突破。
    The abstract painting in the history of Western art dates back to Kandinsky in the 20 "s in twentieth Century, and in the 50" s, the lyric abstract of France began to break through seeking the Oriental idea..

    青铜、金、银、铅、陶、玉、石、牙、骨、木等不同质材各尽其长，而且出现综合使用的趋向。各种材料的制造工艺也有新的发展，如青铜工艺分铸、焊接等技艺的发展，失蜡法的应用，错金银等镶嵌技艺的风行，使作品的制作竞求奇巧华美。
    The different materials of bronze, gold, silver, lead, pottery, jade, stone, tooth, bone, wood and so on each other, and appear the tendency of comprehensive use. A variety of materials, manufacturing process has new development, the popularity of such as bronze technology of casting and welding technology development and application of the lost wax method, wrong gold and silver mosaic art, works produced competing for Kit Kat, China and the United States.

    因之，追求繁缛华美，成为这一时期主导的审美倾向，在青铜、玉和漆木的雕塑中尤为突出。此时期的雕塑尚未从工艺美术中脱出，所以仍然保留着很强的装饰性。
    Because, pursue the overelaborate magnificent become dominant during this period the aesthetic tendency of, especially in bronze, jade and lacquer sculpture. This period of sculpture art from not so prolapse, still retains the highly decorative.